Glaciers, grinding West, gouged out
these valleys, rasping the brown sandstone,
and left, on the hard rock below –
the ruffled foreland –
this frieze of mountains, filed
on the blue air –
Cul Beag, Cul Mor, Suilven,
a frieze and
Who owns this landscape?
Has owning anything to do with love?
For it and I have a love-affair, so nearly human
we even have quarrels. –
When I intrude too confidently
it rebuffs me with a wind like a hand
or puts in my way
a quaking bog or loch
where no loch should be. Or I turn stonily
away, refusing to notice
the rouged rocks, the mascara
under a dripping ledge, even
the tossed, the stony limbs waiting.
I can't pretend
it gets sick for me in my absence,
though I get
sick for it. Yet I love it
with special gratitude,since
it sends me no letters, is never
jealous and, expecting nothing
from me, gets nothing but
cigarette packets and footprints.
Who owns this landscape? –
The millionaire who bought it or
the poacher staggering downhill in the early morning
with a deer on his back?
Who possesses this landscape? –
The man who bought it or
I who am possessed by it?
False questions, for
this landscape is
and intractable in any terms
that are human.
It is docile only to the weather
and its indefatigable lieutenants –
wind, water and frost.
The wind whets the high ridges
and stunts silver birches and alders.
Rain falling down meets
springs gushing up –
they gather and carry down to the Minch
tons of sour soil, making bald
the bony scalp of Cul Mor. And frost
thrusts his hand in cracks and, clenching his fist,
bursts open the sandstone plates,
the armour of Suilven;
he bleeds stories down chutes and screes,
smelling of gun powder.
Norman Mccaig, 'A Man in Assynt'